With Antisocial, I wanted to consciously blend a cliché-laden Western scenario with unusual and often surreal elements to challenge the audience's expectations. The main character, an archetypal Western hero, is drawn into an absurd chase after supposed enemies, serving as a mirror for deeply ingrained societal norms and prejudices. The plot deliberately plays with familiar motifs and symbols to encourage viewers to question their unexamined viewing habits.

The decision to use the complex stop-motion technique was more than just an artistic choice for me. It allows me to bring my characters and their world to life as vividly as possible, while also pushing the technical limits and exploring new dimensions of animation. Over 6,000 individual frames were shot for Antisocial, making it my most ambitious project to date.

The collaboration with the band Pedagogic Torment, of which I am a member, added depth to the film, providing a musical framework that deliberately avoids typical Western clichés. Antisocial is not just a film for me, but also a personal expression of my artistic journey and my fascination with social issues.